All posts by Kathleen Dolan


How to Serve Those Who Are Serving

Prison Obscura exhibit at Newspace sees the need for humanity to revise Justice. Around 8 p.m. on the Sunday before last, I pulled my bike to the side of Interstate Avenue and [Read On…]

Found in Time

Linda Austin is “a head of time” in new, ongoing work. Don’t think too much. About the past, or what the bundles of colorful extension cords on the floor mean, or how [Read On…]

Going Big on the Central Eastside

A Design Week PDX Panel takes on a big question: How does the city keep the Central Eastside industrially fertile? Hanging at the front of the room where Bora Architects hosted the [Read On…]

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Too Significant to Ignore

The sound landscape of AJ Cornell and Tim Darcy is a forest of poetry and experimental noise. “Spit of the 1980s,” a track on Andrea-Jane Cornell and Tim Darcy’s new album Too Significant [Read On…]

Fit to Outlast

The idea that everything is impermanent lasts in the group art show at PICA, The Lasting Concept. The first piece of The Lasting Concept exhibit at PICA’s headquarters downtown is Bill Hayden’s and [Read On…]

Now Begins a Long Time of Loneliness

“The Left-Handed Woman” is an unlonely story of being alone. In a scene from the opening ten minutes of Peter Handke’s “The Left-Handed Woman,” Marianne picks up her husband, Bruno at the [Read On…]


Local Tide

Local Tide is charged  by the memory of the physical being  brought to you digitally. I am staying at a sublet and there is no wi-fi. There is no television. I sit [Read On…]

People Like Her: Margaret Malone

In People Like You, the title story of Margaret Malone’s first book of short stories published late last year, a couple goes out to a party. It’s an ordinary night, they treat the [Read On…]